The Box of Astaroth - Dark Rituals Edition

It's been a while since I last completed a Box of Astaroth and the first five months of the year seem to have passed by without me seemingly doing much as all. Thankfully the client who commissioned this has patiently waited while I completed other projects, organised Doomsday and taken care of two new additions to the family.

The client wanted an innocent looking box that would inconspicuously grace any mantlepiece yet it would harbour some very dark contents. The key phrases he used were altar, strange equipment, forbidden arts and devil worship.

The strange occult fetish is a fetus skull adorned with bells and bones. Spells and curses have been hammered into the head with coffin nails; reminiscent of rituals past. The dark history that surrounds this box and the evil it has witnessed are up to the client to fabricate but I think I've given him enough mileage for a convincingly disturbing tale.

As always, I have used original antiques where possible and it retails all the functionality of previous boxes.

The Cabinet of Curiosities Challenge Part 2

Some of you may recall my previous Cabinet of Curiosities post from way back in June.  The challenge was to create a cabinet of curiosities within 3 weeks however, the year took a rather nasty turn and the death of a close friend followed by health issues hindered the creative process.  I should really be grateful that I actually completed the project in 3 months, although not quite as ambitious as the original 3 weeks I feel the end result is more than worth it.

At the end of my previous post the cabinet exterior was complete as well as the self unlocking padlock mechanism.  The interior was a blank canvas, four large sections of empty space ready to be filled with fantastical things.  The final cabinet can be broken down into 4 distinct sections and I will cover them individually.

The Odditorium

Taking inspiration from a typical cabinet of curiosity I wanted this section to be an assortment of inconsistant nooks and crannies in which the client could hide his tools of the trade.  The items that adorn the shelves each have a terrible tale or mysterious history that the owner can pluck at any point from the display to recount to his mesmerised audience.  There is even a slot for a deck of cards should needs must.  

Haunted Artifact Exhibition

The permanent resident of this mysterious corner of the cabinet is a haunted doll of such paranormal magnitude she has to be strapped down to prevent her from ‘wandering’.  Even the padlocked box is unable to contain the power of the doll as her ghostly hands have been known to pick the lock in an attempt to escape.  A selection of protective talismans and amulets dangle from the display in an endeavour to quell the evil forces than animate this bisque abomination. 

Spirit Communication Module

It has long been thought that mirrors are seen as windows to the spirit world.  The Spiritus Speculo Infinitum is a type of infinity mirror that opens a portal directly to the spirit realm.  Once present they may communicate using traditional methods such as bells and tambourines, if you listen carefully you may even hear them speak.  The drawers are filled with items once owned by the dead, these ’spirit catalysts’ are used to lure the spirits of the departed through the portal in order to communicate.  Some spirits may even leave gifts known as aports and some of these are on display in the cabinet. 

The Professor’s Library

A fitting repository for Prof BC’s classic Doppelgänger series, safely strapped in and protected from the inquisitive hands of the uninitiated.  In anticipation of Prof BC’s 'Realm of the Fairies', the pinned and mounted specimen of a winged mummified creature resides in silent protection of the tomes below.

The Spirit Theater

Finally, the cabinet converts into a spirit theater complete with velvet curtains and gold footlight shell lights to illuminate the horrors within.  Should the performer be feeling brave he may unstrap the haunted doll to give the audience a demonstration of her unearthly powers (from behind closed curtains of course!)

Thanks

A special thanks goes to the client who originally ordered this commission.  Your infallible patience and friendship combined with your artistic understanding of not rushing the creative process was most welcomed.  May the Cabinet of Curiosities bring you a lifetime of mystery and wonderment. 

Crookes' Residual Ectometron - The Ouija Electric Edition

The Ectometron has officially been out of production for well over a year due to difficulty in finding parts.  Some of the vital components had become obsolete and no longer in production which had a knock on effect with my production of this iconic piece.

So what do you do when one of your best clients requests an Ectometron and won't take no for an answer?  You say OK and start the arduous task of sourcing alternative parts.  

Seven months later a complete Ectometron emerged from the studio like no other.  Mounted on a Victorian chest of drawers and with a detachable Ouija board this looks more like an occult switchboard to the spirit world.

This version is designed to be used by one person. A 'Spirit Catalyst' is placed in the metal sphere and the machine is started.  This can be a person item once owned by the deceased such as a ring or lock of hair.  The use of the catalyst allows the user to contact specific spirits rather than random ones.  The combination of the catalyst and the Ouija board and then used to channel thespirit which materialises in the Ectoplasmic Chamber.  Once the spirit has manifested the user may then communicate with the Ouija board and relieved audible spirit responses via the bell, visual responses by electrostatic discharge in the chamber or even vocally via the spirit trumpet.  

Once the communication is complete the lid can be removed from the Ectoplasmic Chamber and the residual ectoplasm from the apparition will escape into the ether in the form of a vortex which can reach over 7 feet.

Even when not in use this particular Ectometron can be used to play gramophone music through.

All of the pictures can be seen here in my portfolio gallery.

The Box of Astaroth - The Emerald Tablet Edition

Another Box of Astaroth leaves the studio featuring the famous print by the great Mathias Merian. My client wanted a box for a performance based on ancient magic and Alchemy so we agreed that the Emerald Tablet would be perfect.

The engraving, Tabula Smaradina (“Emerald Tablet”) is Merian’s interpretation of the alchemical cosmology, a  schemata and representation of the order of things.  It first appears in Johann Daniel Mylius Tractatus III Seu Basilica Philosophica (1618) and makes subsequent appearances in other works by the author, as well as in Lukas Jennis’ Musaeum Hermeticum (1625). 

In its simplest interpretation the Emerald Tablet shows the opening of a complex heaven and the delivering of the philosopher’s stone to the earth.

In this piece, the spirit bell is suspended from a ribbon rather than a hook so not to detract from the image inside the lid.  All of the components are antique and pre 1890, the interesting pewter pot dates from 1853 and is hand engraved.

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The Box of Astaroth - The Garden of Earthly Delights Edition

Nothing conveys the spiritual struggle between good and evil and the rewards and consequences of heaven and hell more than a Hieronymus Bosch painting. The prevalent theme of death and the afterlife in his art has always been something I've wanted to incorporate into my work. A recent commission for a Box of Astaroth came up and I found a beautiful antique glass panelled box. Rather than board them up I decided to fit the two outer panels from Bosch's triptych 'The Garden of Earthly Delights' with very pleasing results.

The Box of Astaroth is my own interpretation of the classic Astro Ball Cabinet. All of the components are antique and pre 1890. Rather than spending hours ageing wood and distressing metal I spent the valuable time sourcing the parts to create something completely unique and undeniably old.

As well as the standard 'ball to glass' routine I have added a spirit bell. Once the spirit it present, the brass bell is hung inside the cabinet and it will ring back in response to questions in typical séance fashion. The bell can be substituted for any item that makes a noise such as a music box or tambourine, even whispers or the faint sound of a child singing. Of course, you can still perform the 'sponge ball into glass routine' if channelling the dead isn't your thing. Like all magic, once you have great mechanics the only limit is your imagination.

This particular piece has a cremation urn and the doll of an old man, the spirit of the man is summoned and asked to place the doll inside the urn. The eeriest part of this performance is hearing the scuffs, knocks and bangs as the doll climbs into the urn, all out of sight of course. The drawer also contains photographs the a genuine receipt for the purchase of a grave plot dated from the early 1900s.

Since I posted the images and demo video on my Facebook page last year I have had a huge influx of requests for 'The Box of Astaroth' and a waiting list is growing! If you'd like to join the 'Box of Astaroth' waiting list please contact me here and I will offer the boxes as they become available.